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Exsultate, jubilate : ウィキペディア英語版
Exsultate, jubilate

''Exsultate, jubilate'' (Exult, rejoice), K. 165, by Wolfgang Amadeus Mozart was written in 1773.
This religious solo motet was composed at the time Mozart was staying in Milan〔K. Kuster, M. Whittall ''Mozart: A Musical Biography'', Oxford University Press, p. 25〕〔(【引用サイトリンク】title=The Three Versions of Mozart's Exsultate, jubilate )〕 during the production of his opera ''Lucio Silla'' which was being performed in the Teatro Regio Ducal in Milan.
The motet was written for the castrato Venanzio Rauzzini,〔L. Schenbeck (1996). ''Joseph Haydn and The Classical Choral Tradition'' Hinshaw Music, p. 235〕〔P. Barbier (1989). ''The World of the Castrati: The History of an Extraordinary Operatic Phenomenon'' transl. M. Crosland, Souvenir Press, p. 179〕 who was singing the part of the ''primo uomo'' Cecilio in ''Lucio Silla'' the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night.〔Hermann Abert, ''Mozart'', (1909), transl. and revised by Cliff Eisen, Yale UP, 2007, pp. 150–1〕 Mozart made some revisions around 1780.〔C. Eisen, S. Sadie. ''The New Grove Mozart'' Macmillan (2002), p. 11〕 In modern times, the motet is usually sung by a female soprano.
It is divided into three parts:
#''Allegro'' – Recitative
#''Andante''
#''Allegro''
Although nominally for liturgical use, the motet has many features in common with Mozart's concert arias, such as those drawn from his operas.〔Corneilson (2006) Paul. "Arias, Concert" Cambridge ''The Cambridge Mozart Encyclopedia'', C. Eisen, Keefe (editors), Simon P., Cambridge University Press, p. 21〕 Mozart also used elements of concerto form in this motet.〔Küster, Whittall (1996) Konrad, Mary. Oxford ''Mozart: a Musical Biography'' Oxford University Press, p. 41〕
==References==


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